Focusing on fragility, space, and subtle strength, that which often goes unnoticed, I work with repetitive forms and markings to elicit thoughts of memories, spiritual spaces, and rituals. My conceptually-driven art practice incorporates ceramics, facial tissues, mixed media, drawing, painting, and time-based installations.


Inspired by blips of time and fleeting experiences, those of dappling sunlight, fluttering birds, and passages of time, I aim to create subtly transformative moments into something felt, rather than seen.


Delicate linear edges provide a point of tension in otherwise dependable forms, referencing common shapes found in nature, while simultaneously remaining unmoored from any one object, lingering in the space of possibilities between recognition and mystery.


My work seeks to gather: gather mementos, gather memories, gather ideas, gather people, gather futures. It invites the viewer to participate, both actively and passively, shaping the experience in a way that reflects the intangible, spiritual value embedded in our everyday lives. These small, fleeting moments—these quiet, precious things—are at the core of what I wish to honor.




“Inside this clay jug there are canyons and pine mountains,
and the maker of canyons and pine mountains!
All seven oceans are inside, and hundreds of millions of stars.
The acid that tests gold is there, and the one who judges jewels.
And the music from the strings no one touches, and the source of all water.
If you want the truth, I will tell you the truth:
Friend, listen: the God whom I love is inside.”


The Kabir Book: Forty-Four of the Ecstatic Poems of Kabir,
Versions by Robert Bly